The blog “History Reloaded” must be recognizable as a series . . .
We need to add images to another series—the “Conversations at New Year.”
“Tingler’s Consumer Culture” must also be illustrated . . .
“America in Conversation” rendered what preoccupied the world before Trump’s election in the fall of 2016.
The visual editor launches a new kind of storytelling, which processes topics in smaller portions . . .
When we have to stage prominent political and business figures in a matter of minutes . . .
Illustrating sex without showing sex—that’s what the visual editor wants.
Often all the visual editor has to do is persuade people. He trusts his infographic team …
Being surprising is newspaper peoples’ bread and butter . . .
An illustration concept needs to be more than simply exciting; it must also be capable of realisation by various people.
How do we stage the ubiquitous Federal Council in a new and surprising way? The visual editor goes with a classical look . . .
A visual concept for two series: “Heroes of Our Youth” and “Life after a Headline” are staged as image-within-image.
Koni Nordmann is a fan of the dual talents of his colleague Boris Müller . . .
It should be clear from the image what the candidates for Zurich’s governing council stand for . . .
The interlocutors are pictured standing in a door frame for the five-part series marking the end of the year, entitled “What 2015 Will Bring.”
As visual editor, Koni Nordmann is always also in charge of the cover image . . .
